Once you have developed a general concept, you need to think about the structure. As you know, every work, both literary and film, should have a tripartite composition with an introduction, development and conclusion, as well as a climax woven into the course of the plot . However, this does not mean that all films or plays look the same. The composition can be shaped in any way. Perhaps you want to use flashbacks, or maybe a box composition will be more interesting for you? Regardless of what you decide on, maintain consistency and a uniform course of narration, and in an interesting way you will lead the viewer through your story.
Build a plot
The plot of a novel, or in simpler terms whatsapp number database the entirety of the presented story, is created by threads . The most important of them is the main thread, which concerns the main characters . In addition to it, your story should also include side threads, or other events that make up the whole. They can concern secondary characters, but also the fates of the main characters that have no direct connection with the most important course of action. While in a product ad, the plot should be simple and single-threaded, a film or theater script will require much more ideas.
It is also very important that a climax appears during the course of the action . It is the most important from the point of view of the entire story. This is where the hero learns the solution to the puzzle he is looking for, takes an important action, faces obstacles. From this point on, his fate begins to change, and the whole story heads towards its conclusion. It is worth considering this element to keep the viewer in suspense for a longer period of time. Create emotions, resolve conflicts, and your script will certainly be interesting.
Create heroes
There would be no script without its ai-generated content characters. This is an issue that should be considered very carefully. They should be interesting, although not necessarily unambiguous . Although most scripts are based on the typical combination of crystalline characters with villains, this does not have to be the rule. Just as in life, it is difficult to have an unambiguous categorization, in a script it may seem unnatural. It is better to focus on flesh-and-blood characters with internal dilemmas and conflicts. They will then be more credible, and at the same time interesting for the viewer. Let them show their different faces or undergo metamorphoses.
Take care of your language
The basis of every script is language. Tell review b the story in such a way that it is attractive to the viewer. To do this, define the preferred target group . If the ad is intended for young people, infuse the dialogues of your characters with contemporary vocabulary. If the performance is to delight an older audience, choose the linguistic means more carefully. The way you speak to your recipient will affect their perception of the whole.
Limit long narrator monologues in favor of natural conversations between characters . Let the dialogues be authentic and the descriptions not too extensive. Remember that in a film, advertisement or performance you can speak to the viewer with images – movement, scenography, location. Don’t forget to include information about sounds in the script, which can greatly enrich the whole.